The Adam Reynolds Award and bursary is designed to support the practice of a mid-career disabled artist. David Johnson will work on major new commissions, including work for Beyond the Visual at Henry Moore Institute, Leeds, opening in November 2025, and a podcast series about art, blindness and the fugitive imagination.

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The 2025 Adam Reynolds Award - Shape Arts’ flagship award for mid-career disabled artists which includes a £10k artist bursary and creative development opportunity - has been made to blind artist David Johnson. Johnson joins ARA alumni including Chris Laing, James Lake, Jay Price, Johanna Hedva, and Jason Wilsher-Mills in receiving the prestigious award, set up in 2008 in memory of the life and work of sculptor Adam Reynolds.

Over the course of 2025, Shape will support Johnson in the production of two major new commissions for Beyond the Visual, the UK’s first major sculpture exhibition where blind and partially blind practitioners are central to the curatorial process and make up the majority of exhibitors, opening at Henry Moore Institute, Leeds in November 2025. Beyond the doubt of a shadow is an installation of over-sized Braille texts made from silicone ‘chewing gum’ attached to the underside of a table, highlighting the artist’s tactile interactions with the world. Nuggets of embodiment features Johnson’s casts of digestive biscuits, incorporating Braille messages in a playful, interactive work. 

The focus of Johnson’s artistic practice is engendering change in the way both blindness and vision are conceptually understood; to creatively explore the centrality of beauty to his world as a Blind artist and to destabilise the visual bias of culture. Johnson will produce new artworks and a podcast series in 2025, inviting practitioners in audio description and academics investigating aphantasia and mental imagery to join him in conversation, unravelling our knotty relationships with vision, sight, and imagination.

Find out more about Beyond the Visual

Jeff Rowlings, Head of Programme, Shape Arts, said: “We are delighted to make David Johnson this year’s Adam Reynolds Award recipient, and to support a fantastic exhibition opportunity for David as well as the development of his practice, something we had the pleasure of doing through our involvement in the Layers of Vision exhibition at Kings College London in 2022.
 
A strong advocate of improving the experience of blind and partially sighted people in the cultural sphere, in particular galleries and museums, David is developing a practice where the notion of the ‘visual arts’ is confounded and challenged by deep questioning of the primacy of the visual in artistic as well as everyday experience. Through manoeuvring concrete and subtle physical forms into new harmonies, enhanced rather than embellished by audio and haptic explorations, David is building exciting new work defined by his relentless curiosity and bold, open approach to collaboration and innovation.”
 
In making this award to David, we gratefully acknowledge the input of the lead investigators of Beyond The Visual, Professor Ken Wilder and Dr Aaron McPeake (Aaron being a previous Adam Reynolds awardee), who have selected David to exhibit at the Henry Moore Institute, Leeds, this year, as part of the BTV programme.” 

David Johnson, Adam Reynolds Award winner 2025, said: “It has been said that artists can see around corners. It is my contention that blind people and blind artists can likewise see around corners. This is because they are often unaware of the presence of an obscuring corner in the first place. 

The experience of blindness and disability has unexplored positives that can enable all of us. Disability offers altered perspectives and radical ways of understanding the world we all inhabit. Art made by blind people can powerfully demonstrate these exciting possibilities.  At last, through art, disabled people can lead the way and open doors for themselves and others rather than always be led and have to wait for the doors to be opened for them.

I am thrilled and honoured to be this year's Adam Reynolds Awardee and to be given the opportunity to further develop these important ideas through my art endeavours. The cultural sector is at an important turning point and it is vital that disability arts is a prominent part of this process. This award will go a long way to ensuring that disability and blind arts remains a growing irritant in the visually biased cultural mainstream.”


Banner image: David Johnson’s I As Object Unseen (2022) exhibited as part of Layers of Vision, Kings College London, 2022, a Shape Arts-supported exhibition. Description: This image shows two perspectives of a 3D sculpture surrounded by a steel frame. The sculpture has three separate sculptures. The rightmost image shows a sculpture of David using his cane as he passes a chair with a red hat positioned on its corner. The leftmost image shows a sculpture of David sitting on a chair with the red hat on his head. The final sculptural scene (not pictured) shows a mirroring of the first sculpture of David using his cane and now passed the chair with the red hat positioned on its corner. In the background of the image are students and persons congregating in the social gallery area.