Banner image: Still from 'Call Me By Your DWP Number' Babeworld x Whinegums (2019). Image courtesy of the artist.


Affiliation with Shape: Ashleigh and Georgina contributed to the Shape Open 2020: The Future is Loading.


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Babeworld, comprised of Ashleigh Williams and Georgina Tyson, is a collaboration which aims to demystify the processes of creativity often kept elusive in an otherwise exclusive ‘art world.’ Focusing on themes of political and social identity, Ashleigh and Georgina’s exploration of disability, accessibility, mental health, sex work, and poverty has firmly grounded their practice in the corridors of the everyday. By creating an accessible critical framework through formatting and use of digestible language, their practice makes space for new dialogue which, rather than sitting within existing artistic narratives, offers an alternative.

About 'Call Me By Your DWP Number' (2019) which Babeworld contributed to The Future is Loading...

'Call Me By Your DWP Registration Number' (2019) is a collaboration between Babeworld and Whinegums. Visually referencing the classic coming of age movies of the 90s and 00s, this pink and dreamy world filled with objects (with the occasional tacky zoom-in) satirically romanticises the parts about living with a disability that are often vilified: using weed as a form of pain management and disability benefits as a form of employment. 

The work begins with the DWP automated message, stirring a sense of dread, much like hearing your alarm tone through someone else’s phone. Ellie is portrayed as the stereotypical lead, purposefully placed on screen as a statement of palatibility. As the holding music plays, Ellie recounts some personal thoughts. In turn, anchoring the situations and struggles of the “in-between.” In-between referrals, in-between waiting lists, and in-between treatments. 

The video in its final edits uses iMovie default transitions and glitter gifs to reimagine a classic movie aesthetic, delivering a more low-culture and low-resolution piece, which is intune with the artists’ lived experiences and working class background.

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